The rising sun streamed through the haze, orange and pale gold, lances of color in an otherwise gray morning. Clouds of dust rose from the trail as wheels rolled and boots tramped toward home, the fine powder mixing with the acrid smoke from campfires as they were extinguished. The baggage train had been broken into two segments, the first of which was now departing with the wounded and the dead who would be cremated with honors back in Krondor. INES of soldiers marched along the ridge. K r o n d o r : T e a r o f th e G o d s I Without them, Midkemia wouldn’t exist and I would have had to find another job. I am indebted to the following people: John Cutter, Neal Halford, Bill Maxwell, Andy Ashcraft, Josh Kulp, Craig Bollan, and Erik Wycheck at Dynamix, 7th Level, and Pyro-technix, for creating interesting characters and situations for the games, Betrayal at Krondor and Return to Krondor, which provided characters, situations, and ideas that coalesced into this novel.Īlso, and as usual, I stand in debt to the imagination and creative support given me by the usual suspects, also known as the Friday Nighters. This book is the outgrowth of a lot of imaginations besides my own. This book is dedicated to all the editors who have put up with, inspired, corrected, and aided me, to the ends of improving the work and making me look good: Adrian Zackheim, Nick Austin, Pat LoBrutto, Janna Silverstein, Malcolm Edwards, and my current guides, Jennifer Brehl and Jane Johnson.Īlso, to Peter Schneider, who has done far more on my behalf than he realizes. Feist asserts the moral right to be identified as the author of this work. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental and beyond the intent of either the author or the publisher.Īll rights reserved. Names, characters, places and incidents either are the products of the author’s imagination or are used fictitiously.
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